« Home | Just another "LOST" episode (_dsc3254) » | Natural studio backdrop (_DSC0212) » | Nothing lasts forever (_DSC0257) » | Shelter from the sun (_DSC0178) » | Double bed beachside bungalow (_DSC0118) » | Broadband Internet (_dsc3400) » | Stop over (_dsc3184) » | Are they getting what we want them to get? » | Sigma 30mm 1.4 focus errors » | They may love your stuff »

Jewel of the tropics (_dsc3209)

Location: Perhentian Island, Besut, Terengganu, Malaysia
Taken with a Nikon D50 and Nikon AF-S Zoom-Nikkor ED 18-55mm f/3.5-5.6G DX (kit-lens)

Monitor Calibration Part 3

Hardware based monitor calibrators provide far more accurate and repeatable results. The results of our ongoing tests and reviews of monitor calibrators is found here. To get the best results from your monitor, it is important to understand the steps involved. The first is calibration; i.e. setting your monitor to a well defined, standard state. You need to select a color temperature to work with.

PC video cards and monitors are usually shipped with a white point set to 9300°K. This gives a bluish tint to everything. It is often used for CAD work stations or in video games where maximum color contrast is desired.

For photography, however, color accuracy is more important. The next standard color temperature is 5000°K (or its close cousin D50). This is the color of lighting in art galleries, and approximates sunlight. On many PC monitors it produces white colors with a dingy, yellowish cast. For some Macs, it is a viable choice. A better choice is often 6500°K (or D65).

Most monitors reach useful brightness levels much more easily at 6500°K/D65 than at 5000°K/D50. Also, some monitors display reddish highlights at D50. Play with your monitor settings and decide which looks best. (Continued...)


Labels: , , ,