Sunday, July 1, 2007

Technically perfect


_DSC0165, Perhentian Island, Besut, Terengganu, Malaysia, originally uploaded by Fadzly Mubin.
On our way to catch some squid. Perhentian Island, Besut, Terengganu, Malaysia
Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

Every picture must be technically perfect, even if it doesn't say anything, or no one would bother taking a look at it.
Nonsense. If a shot is compelling, if the execution reinforces the mood, most people don't care about "technical perfection."
Instead of going out and looking to capture intersting scenes with your camera, you go out with a Microspcope looking for scenes that happen to be under perfect conditions.
More nonsense. Knowing how to utilize the conditions to convey what you want is what makes for a successful photo--there aren't "perfect conditions" that make your photos good.
Am I getting out of line here, because my technical skills are not up to par?
Frankly, yes. Instead of making up nonsense stories to rationalize why people aren't impressed by your shots, you should spend your energy improving your skills and trying to develop a better understanding of how to make your shots work.

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Batik, the Terengganu craft (_IGP9179)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Pentax K100D and Tamron AF 70-300mm F/4-5.6 Di LD Macro lens

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Changing lenses (_IGP9260)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Pentax K100D and Tamron AF 70-300mm F/4-5.6 Di LD Macro lens

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"S" for sticky feet (_IGP9191)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Pentax K100D and Tamron AF 70-300mm F/4-5.6 Di LD Macro lens

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All portraits are staged


_DSC0124, Perhentian Island, Besut, Terengganu, Malaysia, originally uploaded by hackspot.
Perhentian Island, Besut, Terengganu, Malaysia
Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

"Can they in fact be themselves in such an artificial environment sitting in front of the camera? I personally don't think they can."

I disagree. All portraits are staged, so I contend that they are just being themselves in an artificial environment. Whether they are "relaxed" or "comfortable" is a different question and the answer to that is dependent on both the sitter's psychology and the directorial skills of the photographer.

"Natural" vs. "artificial" light is a false dichotomy. It is false as in the distinction lies two implications:

1. that the photographer has given up some degree of control over a very fundamental formal aspect of their photography.

2. that natural light is somehow more "trustworthy."

Some photographers may be more comfortable just taking things as they find them (I sometimes am), but that doesn't relieve you of the decision of when and where and how to make the photograph.

"If they wear a ton of make up who am I to say they can't." Of course they can! It's their choice. But if you think it looks bad, why don't you think you have an obligation (as the person making the photograph) to point that out?

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Cool vista (_DSC0181)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

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A great image


_dsc3133, Perhentian Island, Besut, Terengganu, Malaysia, originally uploaded by hackspot.
Perhentian Island, Besut, Terengganu, Malaysia
Taken with a Nikon D50 and AF Zoom-Nikkor 70-300mm f/4-5.6G lens


A great image is one that invokes a strong emotional response in the viewer. The emotion can be sorrow, happiness, even anger, but the viewer must be affected. Lighting might make a great photograph technically, but a well lit, boring image is not a great photograph. A potentially great photograph might be ruined by poor lighting, but good lighting alone will not make a great photograph.

Great photography is produced by the vision of the photographer. The ability to see the story in a scene and understand what angle to shoot from makes a big difference.

If you want to be a great photographer, seek to see things through your eyes and the lens and learn to project what you see to the photographic palette in your mind's eye. Shoot with purpose and foresight.

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Wild Mushroom (_dsc3326)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Nikon D50 and AF Zoom-Nikkor 70-300mm f/4-5.6G lens

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Rocky cliff side Perhentian Island (_DSC0238)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

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Predator (_DSC0089)

erhentian Island, Besut, Terengganu, Malaysia

Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

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Dining in Perhentian Island (_dsc3549)

Perhentian Island, Besut, Terengganu, Malaysia

Taken with a Nikon D50 and Nikon AF-S Zoom-Nikkor ED 18-55mm f/3.5-5.6G DX (kit-lens)

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Tarting up the product


DSC_0581, originally uploaded by Fadzly Mubin.
Children Playground, Tok Jembal Beach, Kuala Terengganu, Terengganu Malaysia
Taken with a Nikon D50 and Nikon 70-300mm f/4-5.6G lens

"All portraits are staged". I think this may be at the heart of this "honesty" thing ... the recognition of the process by all involved, without pretending to be something other than what you are at that moment. While portraits cannot show all a person is, I distrust those that claim too loudly "This is what I am".

I call this tendency "tarting up the product", rather than letting it be what it is and trusting the value of a thing to reveal itself when the photographer is prepared.

I sometimes have less than a minute to get a good portrait of someone. Often in these situations I find the images made in the first seconds of our meeting offer insights not attainable with much longer sessions. People begin to fret and try to present some idealized versions of themselves, which seem, dishonest...

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Batik shop


Batik shop, originally uploaded by Fadzly Mubin.

A batik boutique. This is at Pasar Kedai Payang. This coloured and patterned cloth is now becoming popular in Malaysia and the best Malaysian batiks come from the east coast of Peninsular Malaysia. There are two types of batik, the hand drawn and the stamped. Recently there are also machine printed batik which design is clearer and colour on one side only.

Hand drawn batik uses a small copper cup and fountain pen like ‘janting’ with melted wax to draw across the length and breadth of the cloth. Dyeing process is like filling colour on the drawing block, only different is the outline is wax instead of pen. The waxed areas resist dye. The cloth will then sent to ‘boil’ in warm water in order to get rid of the wax after it is soaked in chemical that makes the colour stay.

Stamped batik has the similar process like hand drawn batik, only different is the janting will be replaced by a copper or sometimes a wooden stamp which looks like a domestic iron with artistically patterned bottom.

Today batik is not only used for outfits but some innovative commercial individual has made full use of this beautiful and artistic textile into making bags, cushion covers, curtains, slippers etc.

Taken with a Nikon D50 and Nikon 70-300mm f/4-5.6G lens

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Step in close, and fill the frame (DSC_0629)


DSC_0629, originally uploaded by Fadzly Mubin.

Children Playground,
Tok Jembal Beach, Kuala Terengganu, Terengganu Malaysia

This is a great way to get rid of an interfering background. Step in close, and fill the frame with your subject. If you’re doing a portrait of a child, go down to her level and fill the frame with a tight close up.

Taken with a Nikon D50 and Nikon 70-300mm f/4-5.6G lens

Read more of my entries from my other sites
hackspot@flickr
fadzlymubin@flickr
Hackspot on Wordpress
Picasa Photo Album
shutterhack@blogger

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Cruising the Perhentian Island (_IGP9136)

Read some TravelBlogs if you dont believe me!

Perhentian Island, Terengganu, Malaysia
Taken with a Pentax K100D and Tamron AF 70-300mm F/4-5.6 Di LD Macro lens

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The lady will be happy too


_DSC0091, Perhentian Island, Besut, Terengganu, Malaysia, originally uploaded by Fadzly Mubin.
Taken with a Nikon D40 digital camera and Sigma 30mm f/1.4 EX DC HSM lens

Kamel, my close friend since high school. He runs a holiday resort in the beautiful Perhentian Island, Malaysia called The Reef Chalets.

The Reef Chalets provide scenic and peaceful seaside accommodation and personalized services in 12 spacious seaside chalets set in a semicircle around an indigenous island garden. The Reef is strategically located on the big island a few minutes walk to the best snorkeling area and the most beautiful swimming beach with resident turtles.

Virtual Tourist - Pulau Perhentian Besar Travel Guide
Plan a Pulau Perhentian Besar vacation with reviews, tips and photos posted by real travelers and Pulau Perhentian Besar locals. link

My notes:

I notice that there seems to be a predominant opinion among most photographers/viewers that a portrait photo is BETTER when it is processed in a certain way. Especially with portraits of (younger) women I feel that most viewers automatically expect a face to be retouched in a way that it appears FLAWLESS.

This flawless look - in my opinion - is something extremely artificial and inhumane. In fact I often see portraits that remind me of a doll, or of the characters in my daughter's SIMS computer game, more than of live human beings.

I know how to produce this effect of slick perfection in my portraits. But - I simply don't WANT it. I don't WANT to remove the skin from my model's faces and replace it by a piece of plastic foil.

I think this "glamour look" is ok for a certain kind of "beauty photograph" style. I don't want this kind of cold and unpersonal perfection in MY pics though because I am interested in authenticity - true emotions, true beauty - whatever...

If I want to take a picture of my beautiful girlfriend I think it's the atmosphere of beauty more than anything else that does it. If she FEELS beautiful when I take her picture (because I let her know that for me she IS beautiful), then the picture will radiate this atmosphere of beauty...

I find it a little tedious to read remarks like "the lady will be happy too" if I would do some more "corrections". I believe actually "the lady" would have more reason to be INSULTED than to be HAPPY.

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